Blue of Blues N10 / Mixed Media on Watercolor Paper / 2023

$834.17

Shipping to United States: Free

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us and reminds us of its natural beauty and the importance of its preservation.

Details:
Title: Blue of Blues N10
Medium: Mixed Media on Paper
Size: 63x90 cm (24.8 x 35.4 inches).
Year: 2023

* Frame is for illustrative purposes only. Artwork shipped carefully rolled and packaged in a tube.
* Certificate of Authenticity provided.

Enric Servera (Ciutadella de Menorca, 1970) lives and works between Barcelona and Menorca, Spain. His works explores the colors and forms of the ocean, inspired by the fauna and flora of the Mediterranean Sea. His work has shown in galleries across Spain, and is part of several public and private collections.


Words that may describe this series of artworks are: Mediterranean-inspired art, abstract sea paintings, oceanic abstraction, marine-themed artwork, swimming fish abstraction, turquoise waters art, blue sea abstracts, mediterranean color palette, abstract waves and currents, coastal abstraction, aquatic expressions in art, dynamic sea movements, underwater impressions, seaside abstract compositions, nautical abstracts, abstract interpretations of the sea, marine life-inspired art, fluid oceanic forms, coastal color schemes.

Shipping from Spain

Processing time

3-5 business days

Estimated shipping times

  • North America : 3 - 5 business days
  • Europe : 2 - 5 business days
  • Australia, New Zealand and Oceania : 5 - 8 business days
  • Asia Pacific : 5 - 8 business days
  • Latin America and the Caribbean : 5 - 8 business days
  • North Africa and the Middle East : 5 - 8 business days
  • Sub-Saharan Africa : 1 - 2 weeks

I'll do my best to meet these shipping estimates, but can't guarantee them. Actual delivery time will depend on the shipping method you choose.

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Just contact me within: 7 days of delivery

Ship items back to me within: 14 days of delivery

  • Custom or personalized orders
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    Buyers are responsible for return shipping costs. If the item is not returned in its original condition, the buyer is responsible for any loss in value.

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    Frequently Asked Questions

    Care instructions

    Since cyanotypes are one of the oldest photographic prints known, they must be stored properly. Cyanotypes involve an intricate process with light-sensitive chemicals and high-quality papers to get the best image quality possible, so they are very different to regular inkjet prints.

    Although image quality is quite stable, there may be some fading if exposed to direct sunlight for long periods of time, and placed in extremely humid or acidic environments. For your print to last a lifetime, which it can, it would be best to put it in a glass or plastic frame, and try to keep it indoors, away from direct UV light- indirect light is fine! If you have any more questions, please ask!

    Wholesale availability

    We offer discounts for the purchase of multiple prints, whether it be the same image or a series of images. Please contact us for specific details about your order.

    Remember that each cyanotype print is unique, since they are all hand-made and exposed in direct sunlight, so there may be subtle variations in tone and texture. When expecting multiple prints of the same image, don't expect them to all be exactly the same, there may be small variations- that's the beauty!

    Tracking number for shipments

    We send all our art prints and paintings with expedited shipping, which arrives in less than a week with tracking info.

    Framing

    All items are shipped unframed, carefully rolled in a tube.

    A lot of people like to float-frame our cyanotypes and paintings, since the borders where the emulsion is applied are very interesting, but some people also like to matte the pieces so that they look bigger. If you're interested in a diptych or triptych we recommend framing them to the edge of the paper, that way they can be displayed relatively close together and will suggest continuity between the individual pieces.

    We generally suggest thin frames, either white aluminum or a mild or light wood-plated aluminum. UV-protection or museum glass is also recommended.

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