The paintings of Aleix Font (Sabadell, Spain, 1984) function as a narrative between the collective and the individual world, exploring space and its interactions with concepts such as inequality, emptiness, borders, balance, misalignment, or periphery.
Details:
Title: Indoors II
Medium: Acrylic and Spray Painting on Papyrus Paper
Size: 100x 70 cm (40 x 28 inches).
Year: 2024
Artist: Aleix Font
* Frame is for illustrative purposes only.
* Artwork shipped carefully rolled and packaged in a tube.
*Certificate of Authenticity provided.
Font’s artistic focus has two main habitats: in the studio, where he explores with a number of mediums to create small and medium-sized paintings, and in the public sphere, where his social work in peripheral neighborhoods becomes a collaboration between him and his students to make large-scale murals and installations for the community.
As a starting point in the creative process, Aleix is interested in the grid, as a symbol and
symptom of order. From here, he pictorially explores the relationship between images and narratives using aesthetic tools such as transparencies, multiple focal points, and textures to create compositions that bounce between the minimal and the complex. Conceptually, his paintings reflect on the order of things, inviting the viewer to make decisions about what they are seeing.
Shipping from Spain
Processing time
3-5 business days
Estimated shipping times
- North America : 3 - 5 business days
- Europe : 2 - 5 business days
- Australia, New Zealand and Oceania : 5 - 8 business days
- Asia Pacific : 5 - 8 business days
- Latin America and the Caribbean : 5 - 8 business days
- North Africa and the Middle East : 5 - 8 business days
- Sub-Saharan Africa : 1 - 2 weeks
I'll do my best to meet these shipping estimates, but can't guarantee them. Actual delivery time will depend on the shipping method you choose.
Customs and import taxes
Buyers are responsible for any customs and import taxes that may apply. I'm not responsible for delays due to customs.
Payment Options
Returns & Exchanges
I gladly accept returns, exchanges, and cancellations
Just contact me within: 7 days of delivery
Ship items back to me within: 14 days of delivery
Conditions of return
Buyers are responsible for return shipping costs. If the item is not returned in its original condition, the buyer is responsible for any loss in value.
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Frequently Asked Questions
Care instructions
Since cyanotypes are one of the oldest photographic prints known, they must be stored properly. Cyanotypes involve an intricate process with light-sensitive chemicals and high-quality papers to get the best image quality possible, so they are very different to regular inkjet prints.
Although image quality is quite stable, there may be some fading if exposed to direct sunlight for long periods of time, and placed in extremely humid or acidic environments. For your print to last a lifetime, which it can, it would be best to put it in a glass or plastic frame, and try to keep it indoors, away from direct UV light- indirect light is fine! If you have any more questions, please ask!
Wholesale availability
We offer discounts for the purchase of multiple prints, whether it be the same image or a series of images. Please contact us for specific details about your order.
Remember that each cyanotype print is unique, since they are all hand-made and exposed in direct sunlight, so there may be subtle variations in tone and texture. When expecting multiple prints of the same image, don't expect them to all be exactly the same, there may be small variations- that's the beauty!
Tracking number for shipments
We send all our art prints and paintings with expedited shipping, which arrives in less than a week with tracking info.
Framing
All items are shipped unframed, carefully rolled in a tube.
A lot of people like to float-frame our cyanotypes and paintings, since the borders where the emulsion is applied are very interesting, but some people also like to matte the pieces so that they look bigger. If you're interested in a diptych or triptych we recommend framing them to the edge of the paper, that way they can be displayed relatively close together and will suggest continuity between the individual pieces.
We generally suggest thin frames, either white aluminum or a mild or light wood-plated aluminum. UV-protection or museum glass is also recommended.